Here is a summary for my research so far

Canon 5D Mark II Audio Exposed – Boom Mic (juicedLink, Zoom H4n, Microtrack II, BeachTek)

Juicedlink 231 has the lowest noise level
H4n has good noise control, make sure you turn on the high pass filter + wind filter/dead cat (even with a shotgun mic, still wind prone)

A nice mic shootout:
http://www.dvcreators.net/shotgun-shootout/#

http://www.giovanninavarria.com/blog/tag/shotgun-mic
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<$200 Rode VideoMic, 3.5mm output, 9V battery. $150 Azden SGM-1x, XLR, Takes AAA battery. $159. ====================== $200-$250 Sanke CS3 Audio-technica AT875R $199, non powered ================== $250-$500 Rode NT3 (noticablly tingly comparing to AT4053b) $270 Sennheiser ME-66/k6 ($210 for mic, $480 for kit: Sennheiser K6 Powering Module (Battery or Phantom) , WindTech SG-1 Windscreen, Universal Shockmount, Pearstone 3-Pin XLR-M to Angled 3-Pin XLR-F Straight Audio Cable (1.5')) you get the kit used for $350 ish on ebay Rode NTG-2 $269 for the mic Pros: * Great Mic for the Price * Narrow Pickup Pattern to reduce noise * Clean and clear tone * Natural sound Cons: * Can get a little boomy in low-mid ranges if speaker is too close * Pronounced proximity effect * No shock mount/case included When compared to ME-66, this is picks up more ambient sound. Thus, better for documentary, behind the scene type of audio instead of narrated film ================== $500-$1000 Rode NTG-3 $700 ============= AT4053b, (softer than NTG-3 or NTG-2) $600 ================ $1000+ Schoeps MK41 -- only indoor/low humidity. AF condenser. small room. low ceiling, hard surfaces, close to subject Sennheiser MKH 416 -- industry standard for outdoor mic. RF condenser. Large room ================================================= Lavalier For ultra-low budget - and quality that corresponds - a passable recorder would be the Zoom H4n ($300). If you are truly doing only sit-down interviews and nothing else you can use hard-wired lavs. You want decent quality, so the Countryman EMW series ($200ea) are a good choice. They can be plugged directly into the Zoom H4n. If you want the lavs to be "invisible" you can go with Countryman B3 ($200ea) or B6 ($325ea) lavs; you'll also need adapters to connect them to the Zoom. Other decent brands of hard-wired lavs are Voice Technologies and Tram. If you want to go wireless the Audio Technica ATW systems ($500ea) are okay and the Sennheiser G3 systems ($600ea) are very nice on a budget - although most replace the lavs with the Countryman or Tram. If that's getting too pricey you can get a cardioid condenser mic like the Oktava MK012 (about $325) and suspend it above and between the interviewer and interviewee. (If you get the Oktava be sure it's the true Russian version and not the Chinese knock-off.)

Audio for indie film

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